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DESCRIPTION;LANGUAGE=en:M M M: W A S ___ 0 1\, 1 - 6 6 Score Meter (2 0 2 5
 ) New adaptation of the score and performance at the Saalfelden Jazz Festi
 val (2026) \n\n\n\n\n\nTransformation and insight – concept and realisatio
 n – evolution and ignorance.\n\n\n\n\n\n\n\nAustria\, Slovenia\, South Kor
 ea\n\n\n\nMMM: \n\nMathia*s Lenz - conzept and realisation \n\nMaja Osojni
 k - conzept and realisation \n\nMatija Schellander - conzept and realisati
 on \n\n\n\nGuests:\n\nSun-Mi Hong - drums\n\nLukas König - drums\n\nJudith
  Schwarz - drums\n\n\n\n\n\n“WAS___” marks the beginning of a ten-year int
 erdisciplinary journey through space and sound by MMM (Maja Osojnik\, Math
 ia*s Lenz\, and Matija Schellander)\, starting with the first 66 meters of
  a graphic score. The project explores how a visual score can be understoo
 d as an open\, multimodal system and translated into different artistic fo
 rmats. At its core lies the question of the “original” and the possible tr
 ansfers between image\, sound\, performance\, and space.\n\n\n\nOver the n
 ext decade\, the score polymorphically documents traces of time\, inscribi
 ng them into itself while developing sonic and visual structures that invi
 te audiences to think about music beyond the traditional notation system. 
 Linocut\, cyanotype\, acetone\, and other printing techniques weave the sc
 ore through the space in manifold forms. As a long strip\, it resembles ma
 gnetic tape and also works with the same medium. The tapes are integrated 
 into its design and fragmentarily interpret and accompany sections of the 
 graphic score. Tape reels\, tape heads\, and speakers invite the audience 
 to actively participate.\n\n\n\nAt its center\, the work leaves room for i
 mmersive sound installations and performances in which MMM\, together with
  percussionist Špela Mastnak\, explore the phenomenon of skin — as a senso
 ry field of touch and perception — acoustically and haptically: through to
 uching\, pressing\, scratching\, or deforming materials such as paper\, ba
 lloons\, or foil. As an interface between inside and outside\, the explora
 tion of “skin” opens up a multilayered field of experimentation in which t
 he physical interaction with sonic materials blurs the boundaries between 
 action and reception\, creating a micro-acoustic landscape.\n\n\n\nfree en
 try
DTSTART:20260821T100000Z
DTEND:20260821T103000Z
LOCATION;LANGUAGE=en:Kunsthaus Nexus
SUMMARY;LANGUAGE=en:M M M: W A S ___ 0 1\,  Partiturmeter 1 - 66
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